Music in the Baroque World

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17th-century music
18th-century music
A01=Susan Lewis Hammond
Accademia Degli Invaghiti
Author_Susan Lewis Hammond
Bach
baroque era
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basso
Basso Continuo
caccini
Category=AVLA
chamber music
Chapel Master
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Claudio Monteverdi
Comic Intermezzo
Concerti Grossi
Concerto Grosso
continuo
Corelli's Opus
Corelli’s Opus
cultural exchange in music
Early Baroque Period
early modern sound studies
eighteenth-century music
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European music history
Georg Philipp Telemann
Giovanni Rovetta
giulio
handel
historical musicology
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Italian Concerto
j.s. bach
Jacquet De La Guerre
johann
Johann Sebastian Bach
Ma Dre
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Pope Paul III
Possente Spirto
religious influences in music
Sacrae Symphoniae
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Solo Concerto
Stile Antico
Trio Sonata
violin
Violin II
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Western art music
Western music tradition
Young Man

Product details

  • ISBN 9780415842761
  • Weight: 816g
  • Dimensions: 203 x 254mm
  • Publication Date: 02 Sep 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music.

Features

    • An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance
    • A selection of historical documents at the end of each chapter that position musical works and events in their cultural context
    • Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors
    • A global perspective with a chapter on Music in the Americas
    • A companion score anthology and website with links to audio/video content of key performances and research and writing guides

Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.

Susan Lewis is Director of the School of Music and Associate Professor of Musicology at the University of Victoria, Canada.

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