Music in the Post-9/11 World

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Afghan Music
america
bin
Bin Laden
bless
bon
Bon Jovi
Category=AVL
Category=JBCC
channel
chicks
CIA Training
CIO
Classical Music
clear
Commemorative Song
Country Music
cultural trauma studies
De La Sierra
dixie
Dixie Chicks
Dona Nobis Pacem
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
Faouzi Skali
Fireman
German Classical Music
global musical responses to terrorism
god
Jan Jan
laden
media censorship analysis
Mesa Redonda
Middle Eastern musicology
MOCA
Muslim World
Osama Bin Laden
Political Music
popular music politics
Springsteen's Work
Springsteen’s Work
Television News Music
transnational mourning rituals
Vice Versa
WWII Memorial
Young Men

Product details

  • ISBN 9780415978071
  • Weight: 670g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Jun 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

Jonathan Ritter is assistant professor of ethnomusicology at the University of California, Riverside.

J. Martin Daughtry is assistant professor of ethnomusicology at New York University.