Music In Video Games

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adaptive music systems
Category=AV
Category=JBCT
Category=UGG
Cel Animation
Chant Element
digital entertainment research
Diplomacy Themes
eq_art-fashion-photography
eq_bestseller
eq_computing
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eq_music
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eq_non-fiction
eq_society-politics
film music
Final Fantasy
Final Fantasy VI
Final Fantasy VII
Game Era
Game Music
game music composition
gaming
gaming studies
Grand Theft Auto
Graphic Adventure Games
Hero's Journey
Hero’s Journey
interactive media studies
legend of zelda
ludomusicology
Melodic Line
music and media
music and screen media
music and screen media series
music in video games
Nostalgic Experience
Nostalgic Response
Nostalgic Rhetoric
psychological horror soundscapes
Silent Hill
sound design theory
Super Mario Bros
Survival Horror
Survival Horror Games
Survival Horror Genre
Transient Past
Tu Ne
Vice Versa
video game audio analysis
Video Game Music
video game studies
video games
Western Art Music Tradition

Product details

  • ISBN 9780415634434
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.

K.J. Donnelly is Reader in Film at the University of Southampton, where he convenes the Film Studies masters program.

William Gibbons is Assistant Professor of Musicology at Texas Christian University. His primary areas of research interest are opera studies and music in video games.

Neil Lerner is Professor of Music at Davidson College, where he is co-coordinator of the concentration in film and media studies. He serves as Editor of the journal American Music.