Music, Indigeneity, Digital Media

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B01=Henry Stobart
B01=Shzr Ee Tan
B01=Thomas R. Hilder
Category1=Non-Fiction
Category=AVA
COP=United States
cultural values
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digital media studies
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Indigenous culture
Indigenous music
internet
Language_English
media studies
modern history
Native American culture
Native Americans
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Price_€20 to €50
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sociology
softlaunch
spread of ideas
twenty-first century history

Product details

  • ISBN 9781580465731
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Feb 2017
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission. The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.