Music, Movies, Meanings, and Markets

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A01=Morris Holbrook
Ambi-diegetic
ambi-diegetic jazz narrative development
Author_Morris Holbrook
Background Score
Category=ATF
Category=AVA
Category=AVL
Category=AVLA
Category=AVLM
Category=AVLP
Category=JBCT
Category=JBCT3
Category=JHBL
Category=KJS
Category=KJSA
Category=NH
Chet Baker
Cinemusical
Commercialization
Compilation Score
Consumer Behavior
Consumption
Cotton Club
Diegetic Music
diegetic sound studies
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Film Music
film music analysis
Follow
Fred Astaire
Glenn Miller Story
Hollywood Musical
jazz in cinema
Jim Hall
Lester Young
Liza Minnelli
macromarketing theory
Modern Jazz Quartet
Moonlight Serenade
Motion Picture
Non-diegetic
Nondiegetic Music
Part III
Persona
Product Design
Product Placement
product placement research
Round Midnight
Sea Hawk
Soundtrack
Subjective Personal Introspection
Superb
symbolic consumer behavior
Symbolism
Thelonious Monk
Traditional Homologies
Young Man

Product details

  • ISBN 9781138203006
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jul 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Music, Movies, Meanings, and Markets focuses on macromarketing-related aspects of film music in general and on the cinemusical role of ambi-diegetic jazz in particular. The book examines other work on music in motion pictures which has dealt primarily with the traditional distinction between nondiegetic film music (background music that comes from off-screen and is not audible to the film’s characters, to further the dramatic development of plot, character, or other themes) and diegetic music (source music produced on-screen and/or that is audible to the film’s characters, adding to the realism of the mise-en-scène without contributing much to other dramatic meanings). This book defines, describes, and illustrates another hitherto-neglected type of film music –ambi-diegetic film music, which appears on-screen but which contributes to the dramatic development of plot, character, and other themes.

Consistent with an interest in macromarketing, such ambi-diegetic film music serves as a kind of product placement (suitable for commercialization via the cross-promotion of soundtrack albums, for example) and plays a role in product design. It also provides one type of symbolic consumer behavior that indicates choices made by film characters when playing-singing-listening-or-dancing in ways that reveal their personalities or convey other cinemusical meanings. Morris Holbrook argues that ambi-diegetic film music sheds light on various social issues –such as the age-old tension between art and entertainment as it applies to the contrast between creative integrity and commercialization. Music, Movies, Meanings, and Markets explores the ways in which ambi-diegetic jazz contributes to the development of dramatic meanings in various films, many of which address the art-versus-commerce theme as a central concern.

Morris B. Holbrook is the W. T. Dillard Professor Emeritus of Marketing in the Graduate School of Business at Columbia University. His research has covered a wide variety of topics in marketing, consumer behavior, and related fields – with a special focus on communication in general and on aesthetics, semiotics, hermeneutics, art, and entertainment in particular. Recent books include Consumer Research (1995); Consumer Value (edited, 1999); and Playing the Changes on the Jazz Metaphor (2007).

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