Music on Demand

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artistic labor division
Beach Blanket Bingo
Big Fork
Big Hollywood
Block Ii
Block Iii
Box Office Gross
career mobility analysis
Category=ATF
Category=AVLM
Category=AVN
Category=AVP
Category=JBCC9
Category=JH
Composite Transactions
creative labor markets
Dubbing Sessions
economic sociology
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eq_music
eq_nobargain
eq_non-fiction
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Feature Film Work
Film Composer
Film Credits
Freelance Composer
Goodbye Girl
Hollywood composer career pathways
Hollywood Scene
Jerry Fielding
lalo
Lalo Schifrin
Metronome Markings
Prima Donnas
Productive Filmmakers
professional networks
schifrin
Spotting Sessions
symbolic interactionism
Television Sit Coms
Top Composer
Top Filmmakers
Tv Project
Work Habits

Product details

  • ISBN 9780765805089
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Apr 2003
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: GB
  • Product Form: Paperback
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In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the "new economic sociology," Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).

Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

Robert R. Faulkner is professor of sociology at the University of Massachusetts, Amherst. He received his Ph.D. in sociology from the University of California and is the author of Hollywood Studio Musicians: Their Work and Careers in the Recording Industry. He is the recipient of the American Sociological Association's Max Weber Award for Distinguished Scholarship.