Music, Performance, Meaning

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A01=Nicholas Cook
analysis
auditory perception
Aus Den Sieben Tagen
Author_Nicholas Cook
Autograph Score
Beethoven Hero
beethoven's
Beethoven's Ninth Symphony
Beethoven's Sonata Op
Beethoven's symphonies
Beethoven’s Ninth Symphony
Beethoven’s Sonata Op
Category=AVA
Chinese qin music
Chopin
Concerto Grosso
cook
Corelli's Music
Corelli's Op
Corelli’s Music
Corelli’s Op
Das Meisterwerk
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
heinrich
improvisation research
jazz musicians
Large Scale Tonal Structure
Lotta Love
Mozart's String Quartet
Mozart’s String Quartet
music analysis methods
music cognition
musical semiotics
nicholas
ninth
Ninth Symphony
Onion Domes
performance studies
Phrasing Slur
Played Back
Pop Stars
Qin Players
quartet
rock music
Schenker's theory of music
Schenker's Writings
schenkerian
Schenkerian Analysis
Schenker’s Writings
social construction of musical meaning
Solo Exposition
Sonata Form
Species Counterpoint
string
String Quartet
symphony

Product details

  • ISBN 9780754627180
  • Weight: 870g
  • Dimensions: 169 x 244mm
  • Publication Date: 21 Nov 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Nicholas Cook is Professor of Music, University of Cambridge, UK

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