Music Production Cultures

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A01=Brendan Anthony
Adam Bell
Agency Element
audio pedagogy
Author_Brendan Anthony
Category=AV
Category=JNM
Category=JNT
Category=UYU
CHRIS
Collaborative Hub
creative collaboration
Creative Practice
Critical Listening
EDM
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
equitable music production education
Face To Face
Follow
graduate employability skills
higher education teaching
Home Studios
inclusive curriculum design
International Student Survey
Midi
Music Education
Music Production
PMP
Popular Music
Popular Music Pedagogy
practitioner development
Recording Studio
Soft Skills
Sound Engineering
Student Engagement
Team Mentality
Timeline
Tutorial Engagement
Wo

Product details

  • ISBN 9780367517649
  • Weight: 750g
  • Dimensions: 178 x 254mm
  • Publication Date: 26 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Music Production Cultures draws on interviews with international educators, surveys completed by students of music production from around the globe, doctoral research findings and contextualised career experiences from the author as a celebrated music producer to explore how effective learning environments can be created for popular music production in higher education.

Acknowledging the musical, technological and social diversity in global popular music production practice, this book highlights the integral elements that educators and their institutions must consider in order to provide high-quality and relevant education for the students of today and into the future. Offering concepts, approaches and practices to be integrated into diverse music production pedagogical frameworks in higher education, this book considers the pedagogical approaches and goals that bridge music production education to the industry, using examples and insights from international educators throughout as well as lesson plan examples for instructors.

Music Production Cultures develops a foundation of practice to inform teachers designing equitable, diverse and inclusive pedagogies that are dependent on the musical, cultural and social influences of their students. This is an invaluable resource for educators and researchers in the area of audio education looking to develop their pedagogical strategies.

Brendan Anthony has an international career as a popular music producer of 30 years, holds a doctorate of education and lectures in music production within the Bachelor of Music at the Queensland Conservatorium, Griffith University. Brendan’s research engages with popular music production, popular music education and the relationship between technology and music production creative practice. More information is available at brendananthonymusic.com.

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