Music Production: Recording

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A01=Carlos Lellis
advanced studio signal processing
Age Group_Uncategorized
Age Group_Uncategorized
audio engineering techniques
Author_Carlos Lellis
automatic-update
Bass Drum
Bass Traps
Category1=Non-Fiction
Category=AVX
Category=UYU
control
Control Dynamic Range
COP=United Kingdom
Correct Gain Structure
cue
Cue Mixes
Delivery_Pre-order
DPA
drum
dynamic
Dynamic Range Processing
EBU Digital
EBU R68
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Foldback Mix
IIA
Increase Hold Time
Language_English
LFO Wave
Li Ne
microphone
microphone placement strategies
mix
Monitor Mix
Monitor Path
music production workflow
PA=Temporarily unavailable
Pitch Fork
Played Back
preamplifier
Price_€100 and above
PS=Active
range
recording session management
room
signal flow analysis
snare
Snare Drum
softlaunch
Sol
Sp Os
Stereo Microphone Techniques
studio acoustics optimization
TPT.
VCL.
VU Meter

Product details

  • ISBN 9781138469013
  • Weight: 840g
  • Dimensions: 189 x 246mm
  • Publication Date: 29 Aug 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The sound recorder is themirror with a memory for those who listen. With it we can capture glimpses of our reality, producingpictures as we express ourselves. These may ultimately serve as reminders of who we were and of our dreams
Your recordings are the vehicle for your compositions. Improve the artistry of your productions with this techniques guide, which focuses throughout on musicality and how your decisions affect it. Author Carlos Lellis Ferreira walks you through the recording process, bringing aesthetic considerations into each discussion. Learn visually with detailed diagrams and clear explanations of best practices.

Unlike many other recording books, Music Production: Recording is organized around real-world scenarios, with details about roles and responsibilities that help you navigate through key stages of production.

Carlos Lellis holds an SAE/Middlesex University MA in Creative Media and a diploma Summa Cum Laude from Berklee College of Music. He has worked as an engineer and producer with artists such as Rosabella Gregory, Joby Talbot and Grammy Award winners Sir John Tavener and Thomas Dybdahl amongst many others. He is currently the head lecturer at SAE Institute, London, where he oversees the first year of the BA/BSc programme in Sound Production.

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