Music Profession in Britain, 1780-1920

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Army
Bechstein Hall
British Music Hall
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Cathedral Organist
City's Musical Life
City’s Musical Life
class mobility performers
Congregational Chapel
David Kennerley
David Rowland
East India Company
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Female musicians
gender roles musicians
Hay Market
Helen Barlow
Honourable East India Company
Incorporated Society
John Mullen
Kneller Hall
Lay Clerks
Maria Grey Training College
Martin V. Clarke
music education careers
Music Seller
musical labour history
Musicians
Nineteenth-century britain
nineteenth-century Britain society
Nineteenth-century music
Paul Watt
professional accreditation music
Professional Female Musician
Professional music critic
Queen's Hall
Queen’s Hall
Rebecca Gribble
Regimental Bands
Regular Army
Royal Academy
Royal Military Asylum
Simon McVeigh
social status of British musicians
Sol Fa
Sophie Fuller
St Leonards
St Margaret's Church
St Margaret’s Church
St Mary Le Bow
Tonic Sol Fa

Product details

  • ISBN 9780367591939
  • Weight: 450g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.

Rosemary Golding is a staff tutor and senior lecturer in Music at the Open University. She has published on the history of music as an academic subject in nineteenth-century Britain as well as institutional and professional identities in music. Current research interests also include the relationship between music and health in nineteenth-century Britain, with a particular focus on the uses of music in lunatic asylums.