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Music, Sound and Filmmakers

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Anderson's Films
Anderson’s Films
Andrei Rublev
Andrey Tarkovsky
auteur
auteurs
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Chopin
Coen Brothers
David Lynch
David O. Selznick
Death Proof
Dense
Diegetic Sounds
directors
Draughtsman's Contract
Draughtsman’s Contract
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Eyes Wide Shut
film music
film studies
Gus Van Sant
Inglourious Basterds
Ingmar Bergman
Jackie Brown
Kieslowski
Lost Highway
Lynch's Films
Lynch's Work
Lynch’s Films
Lynch’s Work
Miller's Crossing
Miller’s Crossing
music and film
music and media
music and screen media
music and screen media series
music in film
Nyman's Music
Nyman’s Music
Paradine Case
Peter Greenaway
Pre-existing Music
Prospero's Books
Prospero’s Books
Quentin Tarantino
Royal Tenenbaums
sonic aesthetics
sound studies
soundscape
Stanley Kubrick
Steve Zissou
Tarantino's Films
Tarantino’s Films
Val Newton
Van Sant's Films
Van Sant’s Films
Water Fall
Wes Anderson
Young Man

Product details

  • ISBN 9780415898942
  • Weight: 362g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Apr 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
About

James Wierzbicki teaches Musicology at the University of Sydney.