Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951)
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A01=Norton Dudeque
advanced tonal harmony analysis
Ascending Progressions
atonality
Author_Norton Dudeque
Category=AVA
Category=AVN
Category=AVP
developing
Diabelli Variations
dissonance
Emancipated Dissonance
emancipation
Emancipation Of The Dissonance
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Fourth Chords
gedanke
Gedanke Manuscript
harmonic structures
idea
Intermediary Regions
Invariant Segment
manuscript
Melodic Outline
Minor Scale
motivic analysis
Music Analysis
music pedagogy
musical
Neapolitan Region
Nineteenth Century Music Theory
nineteenth-century theory
Ninth Chord
Root Progression
schoenberg's
Schoenberg's Harmonielehre
Schoenberg's Theory
Sequence Segment
structure
Subdominant Region
Substitute Notes
Supertonic Chord
Tonal Goal
Tonic Region
twelve-tone technique
Vagrant Chords
variation
Variation Iv
Product details
- ISBN 9780754641391
- Weight: 680g
- Dimensions: 156 x 234mm
- Publication Date: 06 Jan 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.
Dr Norton Dudeque lectures in Music Theory at the Federal University of Paraná, Brazil.
