Music Theory in Late Medieval Avignon

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A01=Karen M. Cook
Author_Karen M. Cook
Avignonese Pope
Berkeley Manuscript
Berkeley Treatises
Biblioteca Colombina
Cantus Mensurabilis
Category=AVA
Category=AVL
Category=NHDJ
counterpoint techniques
De Muris
early music pedagogy
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fourteenth-century notation
Guillaume De Machaut
Hard Hexachord
Imperfect Breve
Imperfect Tempus
International Des Sources Musicales
Johannes De Garlandia
Johannes De Muris
Latin music treatises
Major Prolation
medieval musicology
Mensural Theory
Minor Prolation
music manuscript studies
Natural Hexachord
Oblique Motion
Parallel Perfect Intervals
Perfect Breve
Perfect Interval
Perpetual Chaplaincy
Rhythmic Modes
Speculum Musicae
transmission of theoretical texts in Avignon
Vice Versa

Product details

  • ISBN 9780367691288
  • Weight: 340g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of De arte cantus are in fact one of the earliest known sources for the Libellus cantus mensurabilis, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while Regulae contrapunctus, Nota quod novem sunt species contrapunctus, and a concluding set of notes in Catalan are early witnesses to the popular Ars contrapuncti treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the Libellus from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises.

Karen M. Cook is Associate Professor of Music History at the University of Hartford. She specializes in late medieval music theory and notation, focusing on developments in rhythmic duration. She also maintains a primary interest in musical medievalism in contemporary media, particularly in video games.

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