Music Theory in the Safavid Era

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A01=Owen Wright
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Al Qadim
Anonymous Text
Author_Owen Wright
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Category1=Non-Fiction
Category=AVA
Category=AVGC2
Category=AVLA
Category=HBTB
Category=NHTB
COP=United Kingdom
Cycle Names
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eq_art-fashion-photography
eq_bestseller
eq_history
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eq_music
eq_nobargain
eq_non-fiction
historical music theory
Language_English
Main Notes
Mi Fa
miniature paintings
Modal Definitions
modal systems analysis
musicological literature
Ottoman Form
Ottoman Repertoires
Ottoman Tradition
PA=Available
Persian culture
Persian musicology
Persian Texts
Persian Treatises
Pitch Set
Price_€100 and above
PS=Active
Rhythmic Cycles
rhythmic cycles study
Safavid cultural history
Safavid rule
Secondary Note
Segmentation Tree
Seventeenth Century Ottoman
sixteenth century Persian music theory
Slower Cycles
softlaunch
Song Text Collections
Stroke Pattern
Sufi musical traditions
Systematist Texts
Systematist Theorists
Tan Tan
Tan Tanan
Tan Tananan Tan
Von Hammer Purgstall

Product details

  • ISBN 9781138062436
  • Weight: 874g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The Safavid era (1501–1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work probably of the middle of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule.

Owen Wright is Emeritus Professor of Musicology of the Middle East at the School of Oriental and African Studies, University of London.

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