Music Theory Through Improvisation

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A01=Ed Sarath
advanced tonal improvisation methods
aural skills training
Author_Ed Sarath
bass
Bass Clef
Category=AVA
Chopin
chord
Chord Scale Relationships
Chord Symbols
clef
Diatonic Extensions
Diatonic Mode
Dmin7 G7
dominant
Dominant Seventh Chords
Ed Sarath
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
European Classical Repertory
Figured Bass Line
gmin7
Ii Chord
improvisation techniques
jazz harmony analysis
Keyboard Exercise
keyboard harmony practice
major
Major Seventh Chord
Melody Notes
Minor Pentatonic Scale
Modal Mixture
musicianship pedagogy
Non-diatonic Harmonies
rhythm studies
Rhythmic Template
sarath
Secondary Dominant
seventh
Seventh Chord
symbols
Target Chords
treble
Treble Clef
UMG
V7 Chords

Product details

  • ISBN 9780415997256
  • Weight: 730g
  • Dimensions: 210 x 280mm
  • Publication Date: 21 Sep 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.

Edward W. Sarath is Professor of Music and Chair for the Department of Jazz and Improvisation Studies at the School of Music, Theatre, and Dance at the University of Michigan.

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