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Music, Time, and Its Other

Roger Savage
€192.20
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A01=Roger Savage
aesthetic judgment
affect theory
Author_Roger Savage
Bach
Bach's Music
Bach’s Music
Category=AVA
Cruda Amarilli
Debussy
Dissonance's Emancipation
Dissonance’s Emancipation
Distentio Animi
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Ethnomusicology
Harmonic Sonorities
Haupt Voll Blut Und Wunden
Hegelian Temptation
Hermeneutics
Human Suffering
Illo Tempore
Imperfect Mediation
J. S. Bach
Matthew Passion
Messiaen
Mimetic Exchanges
Music
Music and Philosophy
music and politics
Music and Religion
Music and Spirituality
Music Cognition
Music Perception
Music's Aesthetic Autonomy
Music's Affective Power
Music's Expressive Power
Music's Temporal Features
musical phenomenology
Musicology
Music’s Aesthetic Autonomy
Music’s Affective Power
Music’s Expressive Power
Music’s Temporal Features
Nunc Stans
Olivier Messiaen
Phenomenological Time
Philip Glass
philosophy of sound
Punctual Presence
Research
Schoenberg
sonic temporality
Sound Studies
Sound Studies Scholars
Synthetic Operation
temporal experience in music
Temporality
Timbral Combinations
Time
Time's Deficiency
Time's Ultimate Unrepresentability
Time’s Deficiency
Time’s Ultimate Unrepresentability
Tonality
Turloch Carolan
W. H. Savage Roger

Product details

  • ISBN 9781138679665
  • Weight: 476g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

Music, Time, and Its Other explores the relation between the enigmatic character of our temporal experiences and music’s affective power. By taking account of competing concepts of time, Savage explains how music refigures dimensions of our experiences through staking out the borderlines between time and eternity. He examines a range of musical expressions that reply to the deficiency born from the difference between time and an order that exceeds or surpasses it and reveals how affective tonalities of works by Bach, Carolan, Debussy, Schoenberg, Messiaen, and Glass augment our understanding of our temporal condition. Reflections on the moods and feelings to which music gives voice counterpoint philosophical investigations into the relation between music’s power to affect us and the force that the present has with respect to the initiatives we take. Music, Time, and Its Other thus sets out a new approach to music, aesthetics, politics, and the critical roles of judgment and imagination.
About Roger Savage
Roger W. H. Savage is a professor at the University of California, Los Angeles. His publications include Hermeneutics and Music Criticism and the edited volume Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis and Critique. He was a Fulbright Scholar and a Moore Institute Visiting Fellow at the National University of Ireland, Galway.

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