Music, Travel, and Imperial Encounter in 19th-Century France

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A01=Ruth Rosenberg
Arabic Music
Author_Ruth Rosenberg
Category=AB
Category=AVLA
Category=JBCC
Category=NH
Chansons Populaires
Chants Populaires
colonial
Corsican Society
Corsican Women
Cultural Studies
Description De
Dominique Vivant Denon
Egyptian Music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographie musicale
ethnomusicologists
Folksong Collecting
Folksong Collector
France
French Travel Writing
French Travelers
Gustave De Beaumont
Hippolyte Fortoul
Imperial
literary history
memoirists
Middle East
Middle Eastern Division
Music
music history
Musical Apprehension
Musical Encounters
Napoleon III
Napoleon's Savants
nineteenth-century
North
North America
politics
postcolonial theory
proto-ethnomusicologists
Revolution
Ruth Rosenberg
Savage Ball
song collectors
St Range
travel writing
travellers
Violet Story
Young Man

Product details

  • ISBN 9781138777996
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Sep 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.

Ruth E. Rosenberg is Assistant Professor of Music at the University of Illinois-Chicago. Her research is multi-disciplinary, drawing from ethnomusicology, musicology, gender and women’s studies, and postcolonial theory. She has published articles on women’s laments in Corsica and music and French imperialism in the journals Current Musicology, Musical Quarterly, and Nineteenth-Century French Studies.

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