Music Under the Soviets

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A01=Andrey Olkhovsky
artistic censorship USSR
Artistic freedom
Author_Andrey Olkhovsky
Authoritarian control of the arts
Authoritarian rule
Authoritarian rule and the arts
Category=AVL
Category=JPFC
Category=NHD
Category=NHTB
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_music
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eq_nobargain
eq_non-fiction
eq_society-politics
Music and censorship
music policy under dictatorship
Music under communism
national music schools
Russian music history
Soviet cultural policy
Stalin and music
Stalin era creativity
The arts under communism
totalitarian regime arts

Product details

  • ISBN 9781032869940
  • Weight: 830g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Music Under the Soviets (1955) examines the concept of Soviet music, its special characteristics and its differences from the musical tradition of the West. As the musical practice under the Soviet totalitarian dictatorship, it should be viewed as the musical policy of that regime, a policy which aims at the ‘reconstruction’ of not only the historically developed musical forms but the essence of music itself as artistic creation. It was during the years of Stalin that Soviet music acquired its peculiar features, developed its most characteristic distinguishing marks, and determined the paths of its evolution.

Andrey Olkhovsky, born in 1900, was a musicologist, composer and educator. He taught history and theory of music in the Soviet Union, as well as composing various musical works and writing a number of books and articles on musical subjects, before leaving for the USA where he continued studying and teaching.

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