Musical Cognition

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A01=Henkjan Honing
Absolute Pitch
auditory pattern recognition
Author_Henkjan Honing
Babble Music
Beat Induction
beat perception
Category=AVA
cognitive processing of rhythm
Duple Meter
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Exceptional Musical Talent
Exciting Rhythm
human musicality research
Illiterate Listener
Inborn Skill
Jackendoff's Theory
Listening Experience
Mechanical Shoe
melodic memory
Music Academy
Music As Language
music learning processes
Music Perception
Ordinary Listeners
Perfect Pitch
pitch discrimination
Regular Pulse
Relative Pitch
Rhythm Space
Rhythmic Differences
Sexual Selection
Superficial Listening
Triple Meter
Underlying Harmonic Structure
Western Music Notation

Product details

  • ISBN 9781412842280
  • Weight: 294g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jul 2011
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Why do people attach importance to the wordless language we call music? Musical Cognition suggests that music is a game. In music, our cognitive functions such as perception, memory, attention, and expectation are challenged; yet, as listeners, we often do not realize that the listener plays an active role in reaching the awareness that makes music so exhilarating, soothing, and inspiring. In reality, the author contends, listening does not happen in the outer world of audible sound, but in the inner world of our minds and brains.Recent research in the areas of psychology and neuro-cognition allows Honing to be explicit in a way that many of his predecessors could not. His lucid, evocative writing style guides the reader through what is known about listening to music while avoiding jargon and technical diagrams. With clear examples, the book concentrates on underappreciated musical skills - "sense of rhythm" and "relative pitch" - skills that make us musical creatures. Research on how living creatures respond to music supports the conviction that all humans have a unique, instinctive attraction to music.Musical Cognition includes a selection of intriguing examples from recent literature exploring the role that an implicit or explicit knowledge of music plays when one listens to it. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. The evidence shows that music is second nature to most human beings - biologically and socially.View the book trailerView the book's website - see videos, images,sample materials, and the author's blog and Twitter feed.

Professor of Music Cognition Henkjan Honing (University of Amsterdam)

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