Musical Instruments and Sound-Producing Objects of Oceania

Regular price €41.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Michael Atherton
Atherton
Author_Michael Atherton
Category=AB
Category=AF
Category=AVA
Category=AVLW
Category=GTM
Category=JBGB
Category=JHMC
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9783034306188
  • Weight: 350g
  • Dimensions: 150 x 220mm
  • Publication Date: 11 Apr 2011
  • Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Publication City/Country: CH
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
This book contributes to our knowledge and awareness of musical instruments and sound-producing objects in the region called Oceania. The author uses principles of organology to describe a research project at the Australian Museum. He explains the classification, provenance and cultural significance of diverse objects that were individually examined and measured.
Four main sections are reflecting the regions of Oceania: Indigenous Australia, Melanesia, Micronesia, and Polynesia. Aboriginal and Torres Strait Islander musical instruments and sound-producing objects reveal a great diversity, as do the instruments in the Melanesian section, in particular Papua and New Guinea; some objects being exquisitely designed and crafted. The Polynesian section includes objects collected on the voyages of Captain James Cook, as well as different types of flute. By combining introductory essays with quality photographs and a numbered catalogue of basic nomenclature, vernacular names and dimensions, the book constitutes a valuable resource.
Michael Atherton is a Professor of Music at the University of Western Sydney. He is a composer, multi-instrumental performer and ethnomusicologist with expertise in Australian musical instruments and Asia-Pacific musical identities. His numerous recordings include creative realizations of ancient Egyptian music, cross-cultural collaborations, film scores, and electro-acoustic improvisations.

More from this author