Musical Life of Nineteenth-Century Belfast
Regular price
€56.99
A01=Declan Plummer
A01=Roy Johnston
Auber's Fra Diavolo
Auber’s Fra Diavolo
Author_Declan Plummer
Author_Roy Johnston
Belfast Commercial Chronicle
Belfast Musical Society
Belfast News Letter
Belfast Philharmonic Society
Belfast Theatre
Bellini's La Sonnambula
Bellini’s La Sonnambula
Bohemian Girl
British industrial towns culture
Carl Rosa
Category=AVLA
Choral Association
choral society development
Classical Harmonists
concert society networks
De Begnis
Donizetti's Lucia Di Lammermoor
Donizetti’s Lucia Di Lammermoor
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Grand Opera House
Handel's Messiah
Handel’s Messiah
historical musicology Belfast case study
Irish music history
letter
Miscellaneous Concert
National Library
news
nineteenth-century opera
Northern Whig
Rossini's La Cenerentola
Rossini's Semiramide
Rossini’s La Cenerentola
Rossini’s Semiramide
Ulster Hall
Ulster Hall origins
Verdi's Il Trovatore
Verdi's La Traviata
Verdi’s Il Trovatore
Verdi’s La Traviata
Victoria Hall
Wallace's Maritana
Wallace’s Maritana
Product details
- ISBN 9780367597535
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 14 Aug 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast’s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast’s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast’s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
Roy Johnston was a widely published expert on Irish music. His dissertation on ’Concerts in the Musical Life of Belfast to 1874’ earned him a doctorate from Queen’s University, Belfast in 1996. He published Bunting’s Messiah and contributed chapters to ’Music and British Culture 1785-1914: Essays in Honour of Cyril Ehrlich, Concert Life in Eighteenth-Century Britain’ (Ashgate, 2004) and ’Music in Nineteenth-Century Ireland’ . His work also appeared in ’The New History of Ireland’, the ’Dictionary of Irish Biography’, the ’New Grove Dictionary of Music and Musicians’, ’New History of Ireland’ and ’The Piano in 19th century British Culture’ (Ashgate, 2007). Declan Plummer is a musicologist and lecturer with research interests in music in nineteenth-century Britain and Ireland. After completing his undergraduate work with a bachelor’s degree in music at University College Cork, Declan continued his studies at Queen’s University Belfast and in 2011 was awarded a PhD in musicology that focused on the conducting career of Sir Hamilton Harty. He has published articles on Harty in The Musicology Review and the Journal of the Society of Musicology in Ireland. Declan currently works as a teaching assistant at the School of Creative Arts in Queen’s University Belfast, where he delivers lectures and tutorials for undergraduate modules in fundamental harmony and music history. He is a theory and aural skills tutor at the City of Belfast School of Music, and he is a teacher of Irish traditional music at Comhaltas CeoltoÌiriÌ EÌireann.
