Musical Performance

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A01=Stan Godlovitch
aesthetic theory
art
artistic interpretation
Author_Stan Godlovitch
Blindfold Test
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computer
concrete
Concrete Arts
craft
electronic
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Fine Performer
Frederic Rzewski
Instru Mentalists
live music analysis
Mere Retention
Metronome Markings
Music Competition
musical agency
Musical Ontology
performance authenticity
Performance Practice Community
philosophy of live musical expression
Played Back
primary
Primary Crafts
Primary Skills
Readymade Themes
Remote Control
Roland Jupiter-8
score
Scored Work
Shadow Conventions
skill
Sound Sequence
Takehisa Kosugi
technology in musicology
Total Performance Environment
Vice Versa
Water Falls
work
works

Product details

  • ISBN 9780415191296
  • Weight: 338g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Oct 1998
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered.
Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

Stan Godlovitch is Senior Lecturer in Philosophy at Lincoln University, New Zealand.

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