Musical Stimulacra

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A01=Ivan Delazari
American novel analysis
American novels
Author_Ivan Delazari
Category=AVA
Category=DS
Category=DSBH
CEG
Cello Sonata
cognitive audionarratology in literature
cognitive narratology
Diegetic Music
Diegetic Narrator
Dmitri Shostakovich
Eighth Symphony
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fiction and music
Fowler's Snare
Fowler’s Snare
Gold Bug Variations
intermediality studies
Leningrad Symphony
literary narrative
literary soundscapes
mental simulations
Messiaen's Quartet
Messiaen’s Quartet
Moonlight Sonata
Mozart
Musical Experience
musical fiction
musical stimulacra
Musicalized Fiction
Non-diegetic Music
Non-diegetic Narrator
Program Music
reader response theory
Richard Powers
Semantic Information
Seventh Symphony
Shostakovich
Shostakovich's Music
Shostakovich’s Music
Unshared Property
Verbal Music
Wolfgang Amadeus Mozart

Product details

  • ISBN 9780367688196
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The title coinage of this book, stimulacra, refers to the fundamental capacity of literary narrative to stimulate our minds and senses by simulating things through words. Musical stimulacra are passages of fiction that readers are empowered to transpose into mental simulations of music. The book theorizes how fiction can generate musical experience, explains what constitutes that experience, and explores the musical dimensions of three American novels: William T. Vollmann’s Europe Central (2005), William H. Gass’s Middle C (2013), and Richard Powers’s Orfeo (2014). Musical Stimulacra approaches fiction’s music from a readerly perspective. Instead of looking at how novels forever fail to compensate for music’s physical, structural, and affective properties, the book concentrates on what literary narrative can do musically. Negotiating common grounds for cognitive audionarratology and intermediality studies, Musical Stimulacra builds its case on the assumption that, among other things, fiction urges us to listen—to musical words and worlds.

Ivan Delazari is an associate professor of Philology at National Research University Higher School of Economics in St. Petersburg, Russia. He holds two doctoral degrees in Philology (2003) and English (2018) from St. Petersburg State University and Hong Kong Baptist University, respectively. From 2004 to 2014, he taught Comparative Literary History and American Studies at St. Petersburg State University. He was a Fulbright visiting scholar at the University of Mississippi from 2009 to 2010 and a Hong Kong PhD Fellow between 2014 and 2017.

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