Musical Theory in the Renaissance
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Aristides Quintilianus
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B01=Cristle Collins Judd
Boethius's De Institutione Musica
Bonnie J. Blackburn
Book III
Category1=Non-Fiction
Category=AVGC2
Category=AVLA
Claude V. Palisca
COP=United Kingdom
Cristle Collins Judd
David R. M. Irving
De Institutione Musica
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Dimostrationi Harmoniche
Dinko Fabris
Dissonance Treatment
Duple Proportion
early modern Europe
Enharmonic Genus
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Ercole Bottrigari
Gary Tomlinson
Harold Powers
historical musicology
Imperfect Breve
Inga Mai Groote
Jessie Ann Owens
johannes
Johannes De Muris
Kircher's Musurgia Universalis
La Mi
Language_English
Margaret Bent
Maria R. Maniates
Minor Semitone
modal analysis
muris
music treatises
Musica Ficta
Musica Speculativa
Octave Species
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Paolo Da Col
pedagogical sources
Perfect Breve
Philippe Vendrix
polyphonic composition
Practica Musicae
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Psalm Tones
Regular Final
Renaissance music theory scholarship
Ronald Woodley
Ruth I. Deford
Sarah Fuller
softlaunch
Sol Fa Ut
Super Librum
Tom R. Ward
Tonal Types
Vincenzo Galilei
Wolfgang Niemoller von Klaus
Product details
- ISBN 9781032918020
- Weight: 1170g
- Dimensions: 174 x 246mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor’s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Cristle Collins Judd is Dean for Academic Affairs and Professor of Music at Bowdoin College, USA.
