Musical Topics and Musical Performance

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Alberto Ginastera
BBC Philharmonic Orchestra
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Category=AVA
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Flight Motive
gestural analysis
Gestural Topic
historically informed analysis
Ich Grolle Nicht
Jean Paulian
Jorge Bolet
Late Sonatas
Latin American Art Music
Liszt Sonata
Mendelssohn's Lied Ohne Worte
Mendelssohn’s Lied Ohne Worte
Metronome Marking
music semiotics
narrative in musicology
nineteenth-century music
Nur Wer Die Sehnsucht Kennt
Pas De Deux
performance interpretation
Pop Star
Raymond Monelle
Schubert's Piano Sonata
Schubert’s Piano Sonata
Scriabin's Music
Scriabin's Works
Scriabin’s Music
Scriabin’s Works
Signature Rhythmic Pattern
Solo Violin
Style Hongrois
Tonic Axis
Topic Theory
topic theory in musical performance

Product details

  • ISBN 9781032110851
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The principal purpose of topics in musicology has been to identify meaning-bearing units within a musical composition that would have been understood by contemporary audiences and therefore also by later receivers, albeit in a different context and with a need for historically aware listening. Since Leonard Ratner (1980) introduced the idea of topics, his relatively simple ideas have been expanded and developed by a number of distinguished authors. Topic theory has now become a well-established branch of musicology, often embracing semiotics, but its relationship to performance has received less attention. Musical Topics and Musical Performance thus focuses on the interface of theory and practice, and investigates how an appreciation of topical presence in a work may prompt interpretative thoughts for a potential performer as well as how performers have responded to such a presence in practice. The chapters focus on music from the nineteenth, twentieth and twenty-first centuries with case studies drawn from composers as diverse as Beethoven, Scriabin and Péter Eötvös. Using both scores and recordings, the book presents a variety of original and innovative perspectives on the subject from a range of distinguished authors, and addresses a neglected area of musicology and musical performance.

Julian Hellaby has been Senior Lecturer and Associate Research Fellow at Coventry University and Programme Leader for Postgraduate Courses at London College of Music. His main publications include Reading Musical Interpretation (2009) and The Mid-Twentieth-Century Concert Pianist: An English Experience (2018) as well as journal articles on matters related to piano performance. As a pianist, Julian has played internationally and has released seven CDs.