Musician-Teacher Collaborations

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Ailbhe Kenny
Artist Teacher Partnerships
arts pedagogy
Bo-Wah Leung
Category=AB
Category=AV
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Cathy Benedict
Cecilia K. Hultberg
Christian Rolle
Classroom Music Teachers
Clint Randles
Colette Murphy
collaborate
collaboration
collaborative music education models
community music
Contemporary Society
coteaching strategies
creative composing pedagogy
Creative Music Making
Cultural Rucksack
Education Bureau
educational partnerships
Emerging Composers
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eq_music
eq_nobargain
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Gareth Dylan Smith
Harold F. Abeles
Heidi Partti
Higher Music Education
Hildegard C. Froehlich
Informal Music Learning
Julia Partington
Julia Weber
June Boyce-Tillman
Kari Holdhus
Katharine Kresek
Lars Brinck
Lauri Vakeva
Marita Kerin
Martin Fautley
Matthias Schlothfeldt
Mette Tjagvad
music
Music Education
Music Education Professional
Music Teacher
musician
Musician Teacher Collaborations
Nancy Evans
Personal Epistemology
Peter Bruun
Professional Composer
Professional Development
Punk Pedagogical
Randi Margrethe Eidsaa
School Music Teachers
Small Composers
stakeholder analysis
Stimulated Recall Interviews
Sven-Erik Holgersen
teacher
Teacher Artist Collaborations
Teaching Artist
teaching artist research
Undergraduate Music Students
Verena Weidner
Vice Versa
Victoria Kinsella
Western Classical Tradition

Product details

  • ISBN 9781138631595
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jan 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Musician-Teacher Collaborations: Altering the Chord explores the dynamics between musicians and teachers within educational settings, illustrating how new musical worlds are discovered and accessed through music-in-education initiatives. An international array of scholars from ten countries present leading debates and issues—both theoretical and empirical—in order to identify and expand upon key questions: How are visiting musicians perceived by various stakeholders? What opportunities and challenges do musicians bring to educational spaces? Why are such initiatives often seen as "saving" children, music, and education?

The text is organized into three parts:

  • Critical Insights presents new theoretical frameworks and concepts, providing alternative perspectives on musician-teacher collaboration.
  • Crossing Boundaries addresses the challenges faced by visiting musicians and teaching artists in educational contexts while discussing the contributions of such music-in-education initiatives.
  • Working Towards Partnership tackles some dominant narratives and perspectives in the field through a series of empirically-based chapters discussing musician-teacher collaboration as a field of tension.

In twenty chapters, Musician-Teacher Collaborations offers critical insights into the pedagogical role music plays within educational frameworks. The geographical diversity of its contributors ensures varied and context-specific arguments while also speaking to the larger issues at play. When musicians and teachers collaborate, one is in the space of the other and vice versa. Musician-Teacher Collaborations analyzes the complex ways in which these spaces are inevitably altered.

Catharina Christophersen is Professor of Music Education at Western Norway University of Applied Sciences, Norway.

Ailbhe Kenny is Lecturer of Music Education at Mary Immaculate College, University of Limerick, Ireland.