Musicians' Migratory Patterns: The African Drum as Symbol in Early America

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A01=Christopher Johnson
African American Artistic Expression
African American Culture
African American history
African American slaves
African diaspora history
African drum
African history
African music
American and European travelers
Author_Christopher Johnson
Bare Skin
Bethel African Methodist Episcopal Church
Cabaret Laws
Category=AVRJ
Category=JBCC
colonial American society
cultural symbolism
De La Beche
Den Dey
Draw Back
drum
Edward King
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
Harris Neck
John Canoe
Juba Dance
Le Page Du Pratz
Marquis De Condorcet
racial bias
racial bias in musical traditions
Religious Congregation
ritual communication
Seaboard Slave States
slave resistance studies
slavery
Stono Rebellion
Young Man

Product details

  • ISBN 9781032240091
  • Weight: 250g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Musicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture.

The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias—the idea of what is primitive—while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.

Christopher Johnson was a Research Fellow at the W.E.B. Du Bois Institute for Afro-American Research at Harvard University. He served on the faculty of the Institute for Doctoral Studies in the Visual Arts (IDSVA), Portland, ME., and the Eugene Lang College of Liberal Arts at the New School in Manhattan.

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