Musician's Mind

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A01=Lynn Helding
Alexander Technique
Author_Lynn Helding
Behavior
Biology
Brain Science
Category=AVS
Cognition
Digital Learning
Emotion
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Mindful Musician
Motor Learning
Muscle Memory
Music Practice
Music Training
Neuroscience
Pedagogy
Performance Anxiety
Practice Tips
Talent
Voice
Voice Studies

Product details

  • ISBN 9781538109946
  • Weight: 726g
  • Dimensions: 160 x 237mm
  • Publication Date: 05 Feb 2020
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds.

Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental wellbeing and cognitive abilities. She addresses common brain myths, motor learning research and the concept of deliberate practice, the values of instructional feedback, technology’s role in attention disorders, the challenges of parenting young musicians, performance anxiety and its solutions, and the emerging importance of music as a social justice issue.

More than an exploration of the brain, The Musician’s Mind is an inspiring call for artists to promote the cultivation of emotion and empathy as cornerstones of a civilized society. No matter your instrument or level of musical ability, this book will reveal to you a new dynamic appreciation for the mind’s creative power.

Lynn Helding serves as professor in vocal arts and opera and coordinator of voice pedagogy at the University of Southern California Thornton School of Music. Ms. Helding is a thought-leader within the dynamic field of contemporary voice science, or vocology, and thus was elected to head the founding of the first non-profit vocology association, PAVA. She is an associate editor of the Journal of Singing and creator of the journal’s “Mindful Voice” column, which illuminates current research in the cognitive, neuro- and social sciences as they relate to music teaching, learning and performance. She is in demand as a master voice teacher and popular lecturer on cognitive topics at universities, and conferences across the United States and Canada.

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