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Musicological Identities
Musicological Identities
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€68.99
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A01=Jacqueline Warwick
A01=Steven Baur
Aus Dem Serail
Author_Jacqueline Warwick
Author_Steven Baur
Backup Singers
Black Eyed Peas
Category=AV
Category=AVA
Category=DNB
Charles Hiroshi Garrett
Chrysanthemum Tea
Conservative Evangelical Protestants
Controlled Role Playing
Country Music
Daniel Goldmark
Dark Side
Darlene Love
David Ake
Dominant Seventh Chord
Dr King
Energy Flash
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Eye's Wide Shut
Eye’s Wide Shut
feminist approaches to music analysis
gender studies in music
George Lipsitz
interdisciplinary cultural theory
John Richardson
La Belle
Lawrence Kramer
Lee's Voice
Lee’s Voice
Loose Synchronization
Magic Flute
Miles Davis Quintet
Mitchell Morris
music and identity
Nasser Al-Taee
Paul Attinello
Penny Serenade
popular music scholarship
race and musicology
Raymond Knapp
Richard Leppert
Robert Walser
Rose Rosengard Subotnik
Ruth A. Solie
Seventh Door
Stan Hawkins
Steven Baur
Style Hongrois
temporality in musical analysis
Til Dawn
Tin Pan Alley
Tin Pan Alley Song
Young Man
Product details
- ISBN 9781138265622
- Weight: 530g
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.
Raymond Knapp is Professor in the Musicology Faculty at UCLA, USA. Steven Baur and Jacqueline Warwick are both Assistant Professors in the Department of Music at Dalhousie University, Canada.
Musicological Identities
€68.99
