Musicology: The Key Concepts

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A01=David Beard
A01=Kenneth Gloag
Absolute Music
Author_David Beard
Author_Kenneth Gloag
Beethoven
Beethoven’s Late Style
Category=AVA
Chopin
Cold War
Critical Approaches to Music
Critical Musicology
Current Issues in Musicology
Dahlhaus 1983a
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Ethnomusicology
Film Music
French Literary Theorist Roland Barthes
Gay Musicology
Germinal Vesicle
Haimo
Historical Musicology
History of Western Music
Kramer 1993b
Le Huray
Middleton 2000b
Music in Context
Music in History and Context
Music Therapy
Musicology
neo-Riemannian Theory
Pitch Class Set Theory
Popular Music
Pre-compositional Plan
Programme Music
Researching Music
Sketch Study
Sonata Form
Viennese

Product details

  • ISBN 9780415679671
  • Weight: 544g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:

  • Autobiography
  • Music and Conflict
  • Deconstruction
  • Postcolonialism
  • Disability
  • Music after 9/11
  • Masculinity
  • Gay Musicology
  • Aesthetics
  • Ethnicity
  • Interpretation
  • Subjectivity

With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

David Beard is Senior Lecturer in Music at Cardiff University, UK. He has published widely in peer-reviewed journals, including Cambridge Opera Journal, Music Analysis, and Twentieth-Century Music, and is the author of Harrison Birtwistle’s Operas and Music Theatre (2012). He co-edited Harrison Birtwistle Studies (2015) and has contributed chapters to Ancient Drama in Music for the Modern Stage (2010) and Peter Maxwell Davies Studies (2009). He sits on the editorial board of the journal Music & Letters. Kenneth Gloag is Professor of Music at Cardiff University, UK. His publications include books on Tippett’s A Child of Our Time (1999) and Nicolas Maw’s Odyssey (2008). He is author of Postmodernism in Music (2012), and has co-edited and contributed chapters to Peter Maxwell Davies Studies (2009), The Cambridge Companion to Michael Tippett (2013), and Harrison Birtwistle Studies (2015). He was inaugural reviews editor of the journal Twentieth-Century Music (2004–12).