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A01=Cuneyt Cakirlar
A01=Elif Akcali
A01=Ozlem Guclu
Affirmative Ethics
Art House Cinema
Author_Cuneyt Cakirlar
Author_Elif Akcali
Author_Ozlem Guclu
Category=ATF
Category=GTC
Category=JBCC1
Category=JBCT
Category=JHB
Cinema Of Turkey
cinematic aesthetics critique
Cinematic Response
Critical Transnationalism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
female adolescence in Turkish cinema
feminist film theory
Film's Engagement
Film's Subject Matter
Film’s Engagement
Film’s Subject Matter
gender representation analysis
Intact Hymen
Melodramatic Trope
rural gender dynamics
Rural Urban Binaries
Skilled Labour Migration
Teen Film
Transnational Cinemas
transnational feminism debate
Turkish Black Sea Coast
Turkish Cinema
Turkish Film Industry
Turkish Political Context
Turkish youth studies
Virgin Suicides
Visual Bursts
Wife Factory
Willful Girlhood
Willful Subject
Willful Youth
World Cinema
Youth Films

Product details

  • ISBN 9780367543136
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book provides a critically informed account of the Turkey-born France-based director Deniz Gamze Ergüven’s debut film Mustang (2015), which tells the story of five orphaned sisters living with their grandmother and uncle in a remote Turkish village.

The film’s familiar art-house style, and its universalising focus on female coming-of-age and feminist dissent, resulted in celebratory reviews from journalists and scholars of world cinema. Meanwhile, Mustang’s framing of youth in the Turkish national context, and its representation of gender, divided Turkish film critics and cultural theorists. These divisions led to a debate that questions the politics of transnational feminism by criticising the film’s failure to capture the local intricacies of the politics of gender and youth. While this book aims to locate Mustang within the intersection of emerging female and youth narratives in the cinema of Turkey, it also provides a critical understanding of the differences in Mustang’s local and global reception. This focus on the geopolitics of representation informs the diverse criteria this study uses to evaluate Ergüven’s stylistic choices.

Engaging with both Anglophone and Turkish literature in youth cinema and gender studies, the book makes an original contribution to current debates on national/transnational cinemas and gender/youth studies and is an accessible reference for graduate and undergraduate study of contemporary film.

Elif Akçalı is Associate Professor in Film and TV Studies at Kadir Has University, Turkey. Her research focuses on film aesthetics, videographic criticism, non-fiction film, and gender/sexuality studies.

Elif Akçalı is an Associate Professor in Film and TV Studies at Kadir Has University, Turkey. Her research focuses on film aesthetics, videographic criticism, non-fiction film, and gender/sexuality studies.

Cüneyt Çakırlar is Associate Professor in Film and Visual Culture at Nottingham Trent University, UK. His research focuses on issues of gender and sexuality in film and contemporary arts.

Özlem Güçlü is an Assistant Professor in Sociology at Mimar Sinan Fine Arts University, Turkey. Her research focuses on gender and sexuality in cinema, cinema in Turkey, and cinematic animals.

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