Mysterious Mistress

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A01=Margaret Crosland
Author_Margaret Crosland
Category=DNBH
Category=DNBX
Category=NHDJ
elizabeth 'jane' shore
elizabeth lambert
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
execution
heywood
imprisonment
king edward iv of england
king richard iii
penance
poverty
richard duke of gloucester
royal mistress
sorcery
the life and legend of jane shore
thomas grey 1st marquess of dorset
thomas more
treason
william hastings 1st baron hastings
william shore
women in history
women's history

Product details

  • ISBN 9780750938518
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 1996
  • Publisher: The History Press Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Jane Shore often gets just a byline in history. We know her name, and that she was the mistress of a king. But who was this woman caputred for the stage by Shakespeare in Richard III, fictionalised by Jean Plaidy and others? Where did she come from? And how was it that having been mistress to the most powerful man in the land, she ended her years in prison and poverty?

Jane Shore was born into a family of merchants and was married early, to William Shore. Having already attempted to get her marriage annulled - citing William's impotence - once she became involved with Edward IV it was inevitable that her marriage was dissolved. She is said to have been a benign influence - 'where men were out of favour, she would bring them in his grace' wrote Thomas More - even intervening to save Eton College and King's College from destruction. When the king died, her position became very vulnerable. Sorcery, treason, penance, imprisonment, poverty, escape and execution were key elements in the rest of Jane's life.

Margaret Crosland draws on literary, historical and artistic sources to explore Jane's life both before and after Edward's demise.

Margaret Crosland is a freelance writer and translator. Her previous books include Simone de Beauvoir, which won the Enid MacLeod prize, Piaf, Colette and Madame de Pompadour (Sutton, 2000).

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