Myth and History in Ancient Greece

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A01=Claude Calame
Achaeans (Homer)
Aeschylus
Alexander the Great
Ancient art
Ancient Greece
Ancient Greek
Ancient history
Ancient Society
Antenor (mythology)
Anthropomorphism
Apollo
Apollodorus of Athens
Apollonius of Rhodes
Archaic Greece
Aristotle
Author_Claude Calame
Battle of Plataea
Cadmus
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Category=JBGB
Category=QRS
Classical antiquity
Classical Greece
Colonies in antiquity
Diodorus Siculus
Dionysius of Halicarnassus
Eleusinian Mysteries
Ephorus
Epic Cycle
Epimetheus (mythology)
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_society-politics
Eumelus of Corinth
Euphemus
Euripides
Greco-Persian Wars
Greece
Greek hero cult
Greek mythology
Greek primordial deities
Greek World
Greeks
Harmodius and Aristogeiton (sculpture)
Hellenistic period
Hellenization
Herodotus
Histories (Herodotus)
Homeric Hymns
Lacedaemon (mythology)
Mycenae
Myth
Mythologies (book)
Mythologiques
Mythology
Narrative
Neoclassicism
Odysseus
Oracle
Orchomenus (Boeotia)
Peloponnese
Peloponnesian War
Philip II of Macedon
Philosopher
Phoroneus
Poetry
Pseudohistory
Ptolemaic Kingdom
Pyrrha
Pythian Games
Sparta
The Persians
Thebaid (Greek poem)
Thebes
Themistocles
Thessaly
Trident of Poseidon
Trojan War

Product details

  • ISBN 9780691114583
  • Weight: 425g
  • Dimensions: 152 x 235mm
  • Publication Date: 22 Jul 2003
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Surely the ancient Greeks would have been baffled to see what we consider their "mythology." Here, Claude Calame mounts a powerful critique of modern-day misconceptions on this front and the lax methodology that has allowed them to prevail. He argues that the Greeks viewed their abundance of narratives not as a single mythology but as an "archaeology." They speculated symbolically on key historical events so that a community of believing citizens could access them efficiently, through ritual means. Central to the book is Calame's rigorous and fruitful analysis of various accounts of the foundation of that most "mythical" of the Greek colonies--Cyrene, in eastern Libya. Calame opens with a magisterial historical survey demonstrating today's misapplication of the terms "myth" and "mythology." Next, he examines the Greeks' symbolic discourse to show that these modern concepts arose much later than commonly believed. Having established this interpretive framework, Calame undertakes a comparative analysis of six accounts of Cyrene's foundation: three by Pindar and one each by Herodotus (in two different versions), Callimachus, and Apollonius of Rhodes. We see how the underlying narrative was shaped in each into a poetically sophisticated, distinctive form by the respective medium, a particular poetical genre, and the specific socio-historical circumstances. Calame concludes by arguing in favor of the Greeks' symbolic approach to the past and by examining the relation of mythos to poetry and music.
Claude Calame is Directeur d'etudes at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Professor of Greek Language and Literature at the University of Lausanne. Several of his books have appeared in English translation, including "The Poetics of Eros in Ancient Greece" (Princeton), "Choruses of Young Women in Ancient Greece", and "The Craft of Poetic Speech in Ancient Greece". Daniel W. Berman is Assistant Professor of Classics and Ancient Mediterranean Studies at Pennsylvania State University.

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