Myth and Identity of the Romantic Artist in European Literature

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19th century English literature
19th century French literature
A01=Elena Anastasaki
aesthetics
Artistic Genius
artistic identity
artistic self-construction
Author_Elena Anastasaki
Authorial Ethos
Authorial Scenario
Canto Iii
Canto IV
Category=AB
Category=AGA
Category=DSB
Category=DSBF
Childe Harold's Pilgrimage
Childe Harold’s Pilgrimage
Confer
Dedicatory Sonnet
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethos
European literary traditions
Generous Error
Goethe's Prometheus
Goethe’s Prometheus
Golden Fleece
Identity construction
interdisciplinary aesthetics
Mme Hanska
mythmaking
mythmaking in literature
mythology
narrative identity formation
National Library
poetic genius theory
praxis
Prometheus
romantic artist
romantic identity
Romanticism studies
Rousseau's Pygmalion
Rousseau’s Pygmalion
Shelley's Alastor
Shelley's Prometheus
Shelley’s Alastor
Shelley’s Prometheus
Stylistic Identity
Superimposed
Timeless
Unknown Masterpiece
Vice Versa
Young Man

Product details

  • ISBN 9780367759360
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths.

The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.

Elena Anastasaki is Assistant Professor of Comparative Literature at the Department of Language and Intercultural Studies at the University of Thessaly (Greece). She holds a PhD in Comparative Literature from the Universities of Kent and Paris 8.

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