Mythical Medusa in Pop Music Performance

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A01=Gina Bevan
Author_Gina Bevan
Azealia Banks
Category=JBSF1
Category=QRSG
classical reception
Colleen McElroy
Dorothea Smartt
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
female pop stars
feminist theory
forthcoming
gender studies
Gorgon
Lady Gaga
Laura Mulvey
Madonna
monster
mythology
pop music
Rihanna
singer
snakes
song
Teresa de Lauretis

Product details

  • ISBN 9781350405240
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Dec 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Exploring the presence and use of the Medusa myth in popular music performance, Gina Bevan takes a new theoretical framework to the world of classical reception to understand the influence of the Gorgon on female pop stars. Medusa has long been used as a figure to denote the demonisation of women and the marginalisation of social groups since antiquity, but we see a transformation of this mythological figure in the 21st century where she becomes a heroine of female empowerment. What will become clear to the reader is that Medusa’s myth is not fixed, and through pop music, the Gorgon can be re-read and moulded by, and for, a modern audience.

This book will explore how performers and their fans engage with the Gorgon, the terrifying monster from Greco-Roman mythology with a petrifying gaze. Some of the biggest female pop stars in the world have been read as Medusa, including Madonna and Lady Gaga, while others, such as Rihanna and Azalea Banks, have become the Gorgon in their work. What is it about Medusa that resonates with modern audiences? The unique ways these female musicians are using the Gorgon, be that explicitly or implicitly, points to how Medusa in popular music is an underexplored area that is ripe for analysis.

Gina Bevan is Associate Lecturer in Classics at the Open University, UK.

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