Mythology in the Modern Novel

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A01=John J. White
Aeneid
Aeschylus
Age Group_Uncategorized
Age Group_Uncategorized
Alberto Moravia
Aldous Huxley
Allegory
Allusion
Ambiguity
Analogy
Archetype
Author_John J. White
automatic-update
Bildungsroman
Category1=Non-Fiction
Category=DSA
Category=DSB
Category=DSK
Classical mythology
Classicism
Classics
COP=United States
Creation myth
Critical Essays (Orwell)
Criticism
David Lodge (author)
Delivery_Pre-order
Deus ex machina
Doctor Faustus (novel)
Don Giovanni
En route (novel)
English poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Essay
Etymology
Euhemerism
Existentialism
Fairy tale
Fiction
G. (novel)
Greek mythology
Hermann Broch
Il disprezzo
Illustration
Jungian archetypes
Language_English
Literary criticism
Literature
Metaphor
Michel Butor
Modern Fiction (essay)
Modernism
Modernity
Myth
Mythology
Mythus
Narrative
Nekyia
Neoclassicism
Northrop Frye
Nouveau roman
Novel
Novelist
Odysseus
Orpheus and Eurydice
PA=Temporarily unavailable
Parody
Pen name
Petrarch
Picaresque novel
Poetry
Price_€20 to €50
PS=Active
Reincarnation
Roman mythology
Romanticism
S. (Dorst novel)
Secularization
Simile
softlaunch
Soren Kierkegaard
The Modern World (novel)
The Other Hand
Trojan War
Venusberg (mythology)
Western esotericism

Product details

  • ISBN 9780691620152
  • Weight: 369g
  • Dimensions: 152 x 235mm
  • Publication Date: 08 Mar 2015
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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J. J. White reexamines the use of myth in fiction in order to bring a new terminological precision into the field. While concentrating on the German novel (Mann, Broch, and Nossack), he discusses the work of Alberto Moravia, John Bowen, Michel Butor, and Macdonald Harris as well, in order to show the modern predilection for myth in whatever national literature. Throughout his discussion, Mr. White delineates carefully his specific subject: the novel in which mythological motifs are used to prefigure events and character--Joyce's Ulysses is, of course, the archetypal novel in this tradition. Setting forth his terms, and making clear his use of them, Mr. White then analyzes the wide appeal of the mythological novel for both twentieth-century novelists and critics: he distinguishes four ways in which modern novelists use myth and surveys the range of critical literature on the subject. His concluding chapters are discussions of specific texts in which he differentiates between novels which have a unilinear parallel between myth and plot, novels of "juxtaposition" in which chapters retelling myth parallel modern action, and novels of fusion in which the action of the modern account synthesizes more than one mythic prefiguration of mythological motif. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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