Nabokov's Women

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A32=David Larmour
A32=David Rampton
A32=Elena Sommers
A32=Julian W. Connolly
A32=Lara Delage-Toriel
A32=Marie Bouchet
A32=Matthew Roth
A32=Sofia Ahlberg
A32=Susan Elizabeth Sweeney
A32=University of Virginia
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B01=Elena Rakhimova-Sommers
Category1=Non-Fiction
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Category=JBSF11
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Female Characters Nabokov
feminism studies
Language_English
Lolita
Nabokov
Nabokov and Women
Nabokov Gender Studies
Nabokov's Mermaid
Nabokov's Nomads
Nabokov’s Mermaid
Nabokov’s Nomads
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Price_€50 to €100
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russian literature
Sexuality in Nabokov
softlaunch
Women in Literature
Women in Nabokov
women's studies
Women's Voice
Women’s Voice

Product details

  • ISBN 9781498503303
  • Weight: 590g
  • Dimensions: 158 x 238mm
  • Publication Date: 26 Sep 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Nabokov’s Women: The Silent Sisterhood of Textual Nomads is the first book-length study to focus on Nabokov’s relationship with his heroines. Essays by distinguished Nabokov scholars explore the multilayered and nomadic nature of Nabokov’s women: their voice and voicelessness, their absentness, the paradigm of power and sacrifice within which they are situated, the paradox of their unattainability, their complex relationship with textual borders, the travel narrative, with the author himself.
By design, Nabokov’s woman is often assigned a short-term tourist visa with a firm expiration date. Her departure is facilitated by death or involuntary absence, which watermarks her into the male protagonist’s narrative, granting him an artistic release or a gift of self-understanding. When she leaves the stage, her portrait remains ambiguous. She can be powerfully enigmatic, but not self-actualized enough to be dynamic or, for even where the terms of her existence are deeply considered or her image beheld reverently, her recognition seems to be limited to the “Works Cited” register of the male narrator’s personal life. As a result, Nabokov’s texts often feature a nomadic woman who seems to live without a narratorial homeland, papers of her own, or storytelling privileges.
This volume explores the “residency status” of Nabokov’s silent nomads—his fleeting lovers, witches, muses, mermaids, and nymphets. As Nabokov scholars analyze the power dynamic of the writer’s narrative of male desire, they ponder—are these female characters directionless wanderers or covert operatives in the terrain of Nabokov’s text? Whereas each essay addresses a different aspect of Nabokov’s artistic relationship with the feminine, together they explore the politics of representation, authorization, and voicelessness. This collection offers new ways of reading and teaching Nabokov and is poised to appeal to a wide range of student and scholarly audiences.

Chapter 4, "Nabokov's Mermaid: 'Spring in Fialta'" by Elena Rakhimova-Sommers, is not available in the ebook format due to digital rights restrictions. You can find the earlier version of the chapter in the journal Nabokov Studies.

Elena Rakhimova-Sommers is principal lecturer in Russian and global literature at the Rochester Institute of Technology.