Narrating Friendship and the British Novel, 1760-1830

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A01=Katrin Berndt
Age Group_Uncategorized
Age Group_Uncategorized
Author_Katrin Berndt
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Cambridge
Cambridge University
Category1=Non-Fiction
Category=DS
Category=DSB
Category=DSBF
Category=DSK
century
character formation
Civil Society
COP=United Kingdom
Delivery_Pre-order
eighteenth
Eighteenth Century British Fiction
Eighteenth Century Fiction
eighteenth-century literature
enlightenment philosophy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
False Friend
fiction
Friend Characters
Friendship Motif
hall
hanoverian
Hanoverian Period
Homodiegetic Narrators
janet
Katie Trumpener
Lady Davenant
Language_English
literary analysis of friendship in novels
long
Main Character
Male Female Friendships
Mary Wollstonecraft
millenium
Millenium Hall
MIT Press
motif
narrative ethics
PA=Temporarily unavailable
period
Price_€50 to €100
PS=Active
Public Engagement
Ros Ballaster
Scott's Millenium Hall
Scott's Redgauntlet
Scott’s Millenium Hall
Scott’s Redgauntlet
sentimental fiction
social psychology
softlaunch
Thomas Keymer
Women's Utopias
Women’s Utopias
Young Man

Product details

  • ISBN 9780367346812
  • Weight: 530g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 May 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Friendship has always been a universal category of human relationships and an influential motif in literature, but it is rarely discussed as a theme in its own right. In her study of how friendship gives direction and shape to new ideas and novel strategies of plot, character formation, and style in the British novel from the 1760s to the 1830s, Katrin Berndt argues that friendship functions as a literary expression of philosophical values in a genre that explores the psychology and the interactions of the individual in modern society. In the literary historical period in which the novel became established as a modern genre, friend characters were omnipresent, reflecting enlightenment philosophy’s definition of friendship as a bond that civilized public and private interactions and was considered essential for the attainment of happiness. Berndt’s analyses of genre-defining novels by Frances Brooke, Mary Shelley, Sarah Scott, Helen Maria Williams, Charlotte Lennox, Walter Scott, Jane Austen, and Maria Edgeworth show that the significance of friendship and the increasing variety of novelistic forms and topics represent an overlooked dynamic in the novel’s literary history. Contributing to our understanding of the complex interplay of philosophical, socio-cultural and literary discourses that shaped British fiction in the later Hanoverian decades, Berndt’s book demonstrates that novels have conceived the modern individual not in opposition to, but in interaction with society, continuing Enlightenment debates about how to share the lives and the experiences of others.

Katrin Berndt is Associate Professor of British and Anglophone Literatures and Cultures at the University of Bremen, Germany.

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