Narrating the Dragoman’s Self in the Veneto-Ottoman Balkans, c. 1550–1650

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A01=Stefan Hanss
Age Group_Uncategorized
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Ars Apodemica
Author_Stefan Hanss
autobiographical microhistory Balkans
Autobiography
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Category1=Non-Fiction
Category=BG
Category=DNB
COP=United Kingdom
cross-cultural encounters
Delivery_Pre-order
Dense
early modern history
Early Modern Mediterranean
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Espionage
espionage networks
Gianesino Salvago
Grand Vizier
Imperial Agents
imperial contact zones
Imperial Interpreter
Imperial Service
Istanbul
Kapudan Pasha
Language_English
Lessico Famigliare
Mediterranean studies
Osman II
Ottoman Balkans
Ottoman Empire
Ottoman Merchants
Ottoman Subjects
PA=Not yet available
Persona
Philip III
Price_€20 to €50
Provveditore Generale
PS=Forthcoming
Ragusan Merchants
Self-narratives
softlaunch
Split Incident
The Balkans
Trans-cultural history
translation practices
Translation Studies
Travelogue
Venetian Authorities
Venetian Bailo
Venetian Diplomatic
Venetian Service
Venetian Territory
Venice
Vice Versa
Writing Translator

Product details

  • ISBN 9781032469515
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This microhistory of the Salvagos—an Istanbul family of Venetian interpreters and spies travelling the sixteenth- and seventeenth-century Mediterranean—is a remarkable feat of the historian’s craft of storytelling. With his father having been killed by secret order of Venice and his nephew to be publicly assassinated by Ottoman authorities, Genesino Salvago and his brothers started writing self-narratives. When crossing the borders of words and worlds, the Salvagos’ self-narratives helped navigate at times beneficial, other times unsettling entanglements of empire, family, and translation.

The discovery of an autobiographical text with rich information on Southeastern Europe, edited here for the first time, is the starting point of this extraordinary microbiography of a family’s intense struggle for manoeuvring a changing world disrupted by competition, betrayal, and colonialism. This volume recovers the Venetian life stories of Ottoman subjects and the crucial role of translation in negotiating a shared but fragile Mediterranean. Stefan Hanß examines an interpreter’s translational practices of the self and recovers the wider Mediterranean significance of the early modern Balkan contact zone. Offering a novel conversation between translation studies, Mediterranean studies, and the history of life-writing, this volume argues that dragomans’ practices of translation, border-crossing, and mobility were key to their experiences and performances of the self.

This book is an indispensable reading for the history of the early modern Mediterranean, self-narratives, Venice, the Ottoman Empire, and Southeastern Europe, as well as the history of translation. Hanß presents a truly fascinating narrative, a microhistory full of insights and rich perspectives.

Stefan Hanß is a Senior Lecturer in Early Modern History at The University of Manchester and the winner of a British Academy Rising Star Engagement Award and a Philip Leverhulme Prize. From September 2023, Hanß will also serve as Deputy Director and Scientific Lead of the John Ryland Research Institute. He has published widely on global history, material culture, and Mediterranean studies, more recently with a focus on hair and featherwork. Hanß is the author of two monographs on the Battle of Lepanto and the editor of Mediterranean Slavery Revisited (500–1800) (2014), The Habsburg Mediterranean, 1500–1800 (2021), Scribal Practice and Global Cultures of Colophons, 1400–1700 (2022), and In-Between Textiles, 1400–1800: Weaving Subjectivities and Encounters (2023).

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