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Narrative Comprehension and Film

Edward Branigan
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A01=Edward Branigan
Author_Edward Branigan
Car Crash
Category=ATF
Category=DSB
Category=GTC
Category=JBCT
Category=NH
cinematic subjectivity
Classical Documentary
cognitive approaches to film analysis
cognitive narratology
Courtyard Scene
diegesis analysis
Diegetic Narrator
Dr Mabuse
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eyeline
Eyeline Match
film theory
girl
Girl And Her Trust
hangover
Hangover Square
her
Imaginary Film
Implied Author
Invisible Observation
Invisible Observer
Long Shot
mabuse
match
Narrative Schema
narrative structure models
Nick Fury
Non-character Narrations
Organ Grinder
POV Shot
Precredit Sequence
sans
Sans Soleil
screen storytelling techniques
soleil
square
Story Space
Story World
trust
Unknown Woman
Window Bars
Wrong Man

Product details

  • ISBN 9780415075114
  • Weight: 800g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Sep 1992
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others.
Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.

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