Narrative Structure and Reader Formation in Lady Mary Wroth's Urania

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A01=Rahel Orgis
Author_Rahel Orgis
Autodiegetic Narrators
book history studies
Book III
Category1=Non-Fiction
Category=DSB
Category=DSK
Category=NL-DS
COP=United Kingdom
early
early modern literature
early modern narrative structure analysis
Early Modern Readers
Early Modern Reading Practices
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Faire Designe
Fan Structure
Focal Characters
Format=BB
Framing Arch
French Heroic Romances
gender-neutral narration
HMM=229
Homodiegetic Narrators
IMPN=Routledge
Inaccessible Rock
Inset Narratives
Inset Tales
Interpolated Tales
ISBN13=9781472479754
Lady Mary Wroth's Urania
Language_English
Manuscript Continuation
modern
Narrative Levels
Narrative Strands
narratology methods
PA=Available
PD=20161215
POP=London
Price=€100 to €200
prose romance analysis
PS=Active
PUB=Taylor & Francis Ltd
reader response theory
readers
romance
Romance Wandering
strands
structures
Subject=Literature: History & Criticism
text
Water Cure
Waters Cure
WG=499
WMM=152
work
Work's Narrative Structure
works
Work’s Narrative Structure
Wroth's Romance
Wroth's Text
Wroth's Work
wroths
Wroth’s Romance
Wroth’s Text
Wroth’s Work

Product details

  • ISBN 9781472479754
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: London, GB
  • Product Form: Hardback
  • Language: English
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Narrative Structure and Reader Formation in Lady Mary Wroth’s Urania offers the first systematic formal and thematic analysis of Wroth’s Urania in its historical context and explores the structural means by which Wroth fashions her readership. The book thus has a dual focus, at once on narrative art and reader formation. It makes two original claims, the first being that the Urania is not the unorganized accumulation of stories critics have tended to present it as, but a work of sophisticated narrative structures i.e. a complex text in a positive sense. These structures are revealed by means of a circumspect narratological analysis of the formal and thematic patterns that organise the Urania. Such an analysis furthers our understanding of the reading strategies that Wroth encourages. The second claim is, then, that through the careful structuring of her text Wroth seeks to create her own ideal readership. More precisely, the formal and thematic structures of the Urania engage with readers’ expectations, inviting them to reflect on prominent thematic issues and respond to the text as what early modern prefaces term "good" readers. Combining narratological methods with a generic perspective and taking into account the work of book historians on early modern reading practices, this monograph provides a new approach to the Urania, supplementing the typically gender- or (auto)biographically-oriented interpretations of the romance. Moreover, it contributes to the study of early modern (prose) narrative and romance and exemplifies how historically contextualised narratological analysis may yield new insights and profit research on reading strategies.

Rahel Orgis is a postdoctoral researcher on behalf of the University of Neuchâtel, Switzerland and coordinator for the English doctoral programme of CUSO (Conférence universitaire de Suisse occidentale).

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