Nashville's Songwriting Sweethearts Volume 6
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A01=Bill C. Malone
A01=Bobbie Malone
Acuff-Rose Music
All I Have to Do Is Dream
Author_Bill C. Malone
Author_Bobbie Malone
Buddy Holly
Bye Bye Love
Carl Smith
Category=AVN
Category=AVP
Category=DNBF
country music
Country Music Hall of Fame
Diadorius Boudleaux Bryant
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_music
eq_nobargain
eq_non-fiction
Everly Brothers
forthcoming
Fred Rose
Love Hurts
Matilda Genevieve Scaduto
Music City
Nashville
Nashville Songwriters Hall of Fame
Rockabilly Hall of Fame
Rocky Top
Roy Orbison
songwriter
Songwriters Hall of Fame
Sugar Beet
Too Many Chicks
USA
Wake Up Little Susie
We Could
Product details
- ISBN 9780806197524
- Weight: 454g
- Dimensions: 152 x 229mm
- Publication Date: 25 Aug 2026
- Publisher: University of Oklahoma Press
- Publication City/Country: US
- Product Form: Paperback
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You might not know the names of Boudleaux and Felice Bryant, but you know their music. Arriving in Nashville in 1950, the songwriting duo became the first full-time independent songwriters in that musical city. In the course of their long careers, they created classic hits that pushed the boundaries of country music into the realms of pop and rock. Songs like “Bye Bye Love,” “All I Have to Do Is Dream,” “Love Hurts,” and “Rocky Top” inspired young musicians everywhere. Here, for the first time, is a complete biography of Nashville’s power songwriting couple.
In Nashville’s Songwriting Sweethearts, authors Bobbie Malone and Bill C. Malone recount how Boudleaux and Felice, married in 1945, began their partnership as itinerant musicians living in a trailer home and writing their first songs together. In Nashville the couple had to deal with racism, classism, and in Felice’s case, sexism. Yet through hard work and business acumen—and a dose of good luck—they overcame these obstacles and rose to national prominence.
By the late 1990s, the Bryants had written as many as 6,000 songs and had sold more than 350 million copies worldwide. They were inducted into the Nashville Songwriters Hall of Fame in 1972, and in 1991 they became members of the Country Music Hall of Fame—a rare occurrence for songwriters who were not also performers. In 1982 their composition “Rocky Top” was adopted as one of the official state songs of Tennessee.
The Bryants were lucky enough to arrive in the right place at the right time. Their emergence in the early fifties coincided with the rise of Nashville as Music City, USA. And their prolific collaboration with the Everly Brothers, beginning in 1957, sparked a fusion between country and pop music that endures to this day.
In Nashville’s Songwriting Sweethearts, authors Bobbie Malone and Bill C. Malone recount how Boudleaux and Felice, married in 1945, began their partnership as itinerant musicians living in a trailer home and writing their first songs together. In Nashville the couple had to deal with racism, classism, and in Felice’s case, sexism. Yet through hard work and business acumen—and a dose of good luck—they overcame these obstacles and rose to national prominence.
By the late 1990s, the Bryants had written as many as 6,000 songs and had sold more than 350 million copies worldwide. They were inducted into the Nashville Songwriters Hall of Fame in 1972, and in 1991 they became members of the Country Music Hall of Fame—a rare occurrence for songwriters who were not also performers. In 1982 their composition “Rocky Top” was adopted as one of the official state songs of Tennessee.
The Bryants were lucky enough to arrive in the right place at the right time. Their emergence in the early fifties coincided with the rise of Nashville as Music City, USA. And their prolific collaboration with the Everly Brothers, beginning in 1957, sparked a fusion between country and pop music that endures to this day.
Bobbie Malone is the author of Lois Lenski: Storycatcher and coauthor of Nashville's Songwriting Sweethearts: The Boudleaux and Felice Bryant Story.
Bill C. Malone is Professor Emeritus of History at Tulane University. He is the author of numerous books on country music history. His doctoral dissertation was published in 1968 as Country Music, U.S.A. and has subsequently seen print in three revised editions. Malone received a Guggenheim Fellowship in 1984 and Lifetime Achievement Award from the Society for American Music in 2008.
Bill C. Malone is Professor Emeritus of History at Tulane University. He is the author of numerous books on country music history. His doctoral dissertation was published in 1968 as Country Music, U.S.A. and has subsequently seen print in three revised editions. Malone received a Guggenheim Fellowship in 1984 and Lifetime Achievement Award from the Society for American Music in 2008.
