National Galleries

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A01=Simon Knell
Alexander III
Alte Nationalgalerie
art historiography
Author_Simon Knell
Category=AB
Category=GLZ
Category=JBCC
Charles III
Charles's Collection
Colin McCahon
comparative museology
cultural identity formation
De Bellas Artes
Del La
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eric Brown
Escola Nacional De Belas Artes
Hungarian National Gallery
institutional critique
Moderna Museet
Museo De Arte
Museo Nacional Centro De Arte
Museo Nacional De Arte
Museo Nacional De Bellas Artes
museum studies
Nacional De Belas Artes
Nacional De Bellas Artes
National Art Gallery
national art institutions analysis
National Gallery
National Library
National Picture Gallery
Palacio De Bellas Artes
Tate Encounters
Universal Art History
visual culture theory
Young Men

Product details

  • ISBN 9781138182233
  • Weight: 510g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Are national galleries different from other kinds of art gallery or museum?
What value is there for the nation in a collection of international masterpieces?
How are national galleries involved in the construction national art?

National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.

Simon Knell is Professor of Museum Studies at the University of Leicester’s School of Museum Studies, UK.

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