National Identity and Nineteenth-Century Franco-Belgian Sculpture

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A01=Jana Wijnsouw
academic sculpture studies
Albert Ernest Carrier Belleuse
Antwerp Academy
art academies
art and politics
art history research
Author_Jana Wijnsouw
Belgian modernism
Belgian Salons
Belgian Sculpture
Belgian Sculpture School
Belgium
Bourse of Brussels
Brussels Academy
Category=AFKB
Charles Van Der Stappen
Chryselephantine Sculpture
Constantin Meunier
cultural heritage analysis
Du Mal
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eugene Simonis
evolution of national sculpture identity
exhibitions
Foreign Sculptors
French sculptors
George Minne
Guillaume Geefs
iconography
Jean Baptiste Carpeaux
Jef Lambeaux
Joseph Geefs
Jules Lagae
Julien Dillens
La Sculpture Belge
Les XX
National Academies
national identity
National Salons
nineteenth century
nineteenth century art movements
Nineteenth Century Belgian Sculpture
Palace of Justice
Paul Devigne
Paul Gauguin
Prix De Rome
public art commissions
public commissions
salons
sculpture
Van Der Stappen
Vincent Van Gogh

Product details

  • ISBN 9781032339474
  • Weight: 467g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Jul 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.

Jana Wijnsouw holds a PhD from the Department of Art History, Music, and Theatre Studies at Ghent University.

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