Natural Theology of the Arts

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A01=Anthony Monti
Author_Anthony Monti
Category=ABA
Category=QRM
Category=QRVG
Coleridgean Idea
Colin Gunton
critical
Critical Realism
critical realism epistemology
Critical Realist Epistemology
Critical Realist Model
divine presence in creative arts
Epistemic Circle
Epistemic Circularity
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eschatological art interpretation
Eschatological Function
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Frank Burch Brown
Good Life
Holy Spirit
humanities crisis discourse
Jeremy Begbie
Liberal Arts Core Curriculum
metaphor theory
Metaphorical Knowledge
Mozart's Jupiter Symphony
Mozart’s Jupiter Symphony
Natural Theology
Noetic Realm
Open Transcendental
Polanyi's Sense
Polanyi's Theory
Polanyi’s Sense
Polanyi’s Theory
realism
religious aesthetics
Responsive Creativity
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Subsidiary Awareness
Trinitarian ontology
Young Man

Product details

  • ISBN 9780754630739
  • Weight: 531g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Jun 2003
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A Natural Theology of the Arts contends that the arts are theological by their very nature and not simply when they are explicitly religious - thereby constituting a distinctive kind of 'natural theology'. Borrowing from science the stance of 'critical realism' to justify truth claims in art and theology, it argues that works of art are complex metaphors that convey the 'real presence' of God, even when not labelled as such. Citing numerous examples from literature, painting, and music - including Shakespeare's King Lear, Vermeer's Young Woman with a Water Jug, Rembrandt's Return of the Prodigal Son, and Stephen Cleobury's experiences performing Bach's St Matthew Passion and Britten's Rejoice in the Lamb - the author concludes that works of art anticipate the new creation, thereby suggesting a Trinitarian account of the God present in the creation and reception of such works.
Anthony Monti, The Newark School of Theology, and Ramapo College and Rockland Community College, USA

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