Naturally Hypernatural I: Concepts of Nature

Regular price €58.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
Anker
automatic-update
B01=Sabine Flach
B01=Suzanne Anker
B09=Sabine Flach
B09=Suzanne Anker
Category1=Non-Fiction
Category=ABA
Category=AC
Category=AGA
COP=Switzerland
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Language_German
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9783034321242
  • Weight: 520g
  • Dimensions: 170 x 240mm
  • Publication Date: 07 Nov 2016
  • Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Publication City/Country: CH
  • Product Form: Paperback
  • Language: English, German
Secure checkout Fast Shipping Easy returns

Nature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally Hypernatural. Concepts of Nature – the first volume of this project – argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.

Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. Her seminal text The Molecular Gaze: Art in the Genetic Age (co-authored with the late Dorothy Nelkin) was published in 2004. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005.

Sabine Flach is Professor of Modern and Contemporary Art at the University of Graz where she is also Chair of the Art History Institute. She studied art history, theory of literature, philosophy and humanities in Marburg, Perugia, Kassel and Berlin.