Nature of Order, Four-Volume Set

Christopher Alexander has been a legendary figure in architecture for nearly 40 years. World-renowned for his revolutionary theories on the art of building, Alexander now caps his lifetime of profoundly original thinking about the meaning and purpose of architecture with this magnum opus, The Nature of Order. In these four books, Alexander constructs an entirely new cosmology, grounded in the latest scientific knowledge, and integrating the perennial wisdom of the centrality of human experience and values. In this way, Alexander reunifies for the field of architecture the 400-year old split of Body (structure) and Soul (feeling).

Alexander explores the properties of life itself, highlighting a set of well-defined structures present in all order and in all life from micro-organisms and mountain ranges to good houses and vibrant communities.

Taken as a whole, the four books create a sweeping new conception of the nature of things which is both objective and structural (hence part of science) and also personal (in that it shows how and why things have the power to touch the human heart). A step has been taken, through which these two domains the domain of geometrical structure and the feeling it creates kept separate during four centuries of scientific though from 1600 to 2000, have finally been united.

The Nature of Order constitutes the backbone of Building Beauty: Ecologic Design Construction Process, an initiative aimed at radically reforming architecture education, with the emphasis of making as a way to access a transformative vision of the world. The 15 fundamental properties of life guide our work and have given us much more than a set of solutions. The Nature of Order has given us the framework in which we can search and build up our own solutions.

In order to be authentically sustainable, buildings and places have to be cared for and loved over generations. Beautiful buildings and places are more likely to be loved, and they become more beautiful, and loved, through the attention given to them over time. Beauty is therefore, not a luxury, or an option, it includes and transcends technological innovation, and is a necessary requirement for a truly sustainable culture.

Christopher Alexander is a builder, craftsman, general contractor, architect, painter, and teacher. He taught from 1963 to 2002 as Professor of Architecture at the University of California, Berkeley, and is now Professor Emeritus. He has spent his life running construction projects, experimenting with new building methods and materials, and crafting carefully articulated buildings- all to advance the idea that people can build environments in which they will thrive. Acting on his deeply held conviction that, as a society, we must recover the means by which we can build and maintain healthy living environments, he has lived and worked in many cultures, and built buildings all over the world. Making neighborhoods, building-complexes, buildings, balustrades, columns, ceilings, windows, tiles, ornaments, models and mockups, paintings, furniture, castings and carvings- all this has been his passion, and is the cornerstone from which his paradigm-changing principles have been derived. Professor Alexander is a fellow of the American Academy of Arts and Sciences. He received his doctorate in Architecture from Harvard University after completing degrees at Cambridge University in mathematics and architecture. He is the winner of the first medal for research awarded by the American Institute of Architects, a member of the Swedish Royal Academy, recipient of the Distinguished Professor Award from the American Association of Collegiate Schools of Architecture, and the recipient of the Vincent Scully Prize awarded by the National Building Museum in the US, among many other prestigious awards throughout his career. Christopher Alexander writes ""I believe we are on the threshold of a new era when the proper understanding of the deep questions of space, as they are embodied in architecture will play a revolutionary role in the way we see the world and will do for the world view of the 21st and 22nd centuries, what physics did for the 19th and 20th.