Nautanki

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A01=Devendra Sharma
anthropology
Author_Devendra Sharma
Bhagat
Bollywood
Category=ATD
Category=AVLM
Category=NHF
classic plays
colonial India
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
folk drama
folk music
forthcoming
Hindi
Hindi cinema
Indian theater
Indian theatre
literary criticism
live performance
musical theatre
Nautanki
Nautanki performance
northern India
opera
Parsi theatre
postcolonial theatre
Swang
world theatre

Product details

  • ISBN 9781350296763
  • Dimensions: 129 x 198mm
  • Publication Date: 20 Aug 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma’s book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground.

What entertained India’s masses and elites before the arrival of cinema in India? When did “modern” theatre begin in India and how did Nautanki contribute to its rise?

In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautanki—its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces—which flourished in North India in the 19th and the 20th centuries, and is still popular now.

In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout India’s cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed India’s theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood.

Devendra Sharma is Professor of Communication and Performance Studies at California State University, USA. He is a seventh-generation actor-singer, writer, and director of Nautanki, Svang and Sangit (older forms of Nautanki). He has performed more than 2000 performances so far in his performance career. He wrote his doctoral thesis in 2006 at Ohio University, in addition to other publications, on Nautanki, and is a worldwide authority on it.

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