Near/Miss

Regular price €29.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Charles Bernstein
Age Group_Uncategorized
Age Group_Uncategorized
amy sillman
Author_Charles Bernstein
automatic-update
blog comments
Category1=Non-Fiction
Category=DCF
contemporary painters
contrarian pop culture
COP=United States
Delivery_Delivery within 10-20 working days
dissent
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
grief of loss
hilarious riffs
Language_English
leading voice
malaprops
modern american literature
mondegreens
nonsequiturs
off-center rhythms
PA=Available
philosophical
poetry collection
poets
political cynicism
politics
Price_€20 to €50
protest
PS=Active
rackstraw downes
reality
rollicking satire
social issues
softlaunch
translations
vandalized signs
verbal extravagance

Product details

  • ISBN 9780226570693
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Oct 2018
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Praised in recent years as a "calculating, improvisatory, essential poet" by Daisy Fried in the New York Times, and as "the foremost poet-critic of our time" by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss, Bernstein's first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection's title highlights poetry's ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry-proudly declaring itself "a totally inaccessible poem"-and moves on to the stuff of contrarian pop culture and political cynicism-full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of "our united fates." These poems engage with works by contemporary painters-including Amy Sillman, Rackstraw Downes, and Etel Adnan-and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.

More from this author