Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art

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A01=Jessica Sjoholm Skrubbe
abstraction
Albert Gleizes
Alfred Flechtheim
archival research methods
art history
artist
Author_Jessica Sjoholm Skrubbe
avant garde
Berlin
Category=AGA
Chagall
collector
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethnologisches Museum
Europe
Exhibition Catalogues
expressionism
feminism
feminist analysis of modernist collaboration
feminist art historiography
First World War
gallery
gender and abstraction
Germany
Harvard Art Museums
Herwarth Walden
Hilla Von Rebay
Illustrated Press
International Modern Art
Jacoba Van Heemskerck
journal
Kunsthalle Basel
Kunstsammlung Nordrhein Westfalen
labor
Moderna Museet
modernism
museum canon formation
Oskar Kokoschka
Paul Cassirer
Reverse Glass Paintings
Scandinavian Network
Sonia Delaunay
Staatsbibliothek Zu Berlin
Staatsgalerie Stuttgart
Stockholms Dagblad
Swedish Art
Switzerland
Twentieth Century German Art
Van Heemskerck
Weimar
Weimar cultural history
West Germany
women photographers Germany
World War I

Product details

  • ISBN 9780367566876
  • Weight: 800g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Based on hitherto overlooked archival material, this book reveals Nell Walden’s significant impact on the Sturm organisation through a feminist reading of supportive labour that highlights the centrality of collaborative work within the modern art world.

This book introduces Walden as an ardent collector of modern and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served as a means to intervene in the public sphere of culture in interwar Germany. Finally, the book provides an analysis of Walden’s continuing work for Der Sturm after her voluntary exile from Germany to Switzerland in 1933 and highlights the importance of women’s supportive labour for the canonisation and institutionalisation of modern art in museums and archives.

The book will be of interest to scholars working in art history, visual studies, and gender studies.

Jessica Sjöholm Skrubbe is senior lecturer in the Department of Culture and Aesthetics at Stockholm University.

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